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Dune: Part Two is now available on Netflix – check out these 3 other captivating sci-fi films that boast over 87% on Rotten Tomatoes!

2025-06-03 11:26:12 By Mary Williams

This science fiction action film by George Miller is at the forefront.

Netflix has added another wave of new titles to its platform this month, and so far we are loving everything new on Netflix in January 2025. But one of it's recent additions happens to be one of the best movies of 2024 - Denis Villeneuve's Dune: Part Two.

Not only was Dune: Part Two a success for its out-of-this-world visual effects and sound editing, but its ensemble cast of Hollywood's biggest stars Zendaya, Timothee Chalamet, Florence Pugh, and Austin Butler offers some of the best acting performances. But if you've already caught Dune: Part Two since it joined Netflix, or you've seen it far too many times already, Netflix has a library of sci-fi movies for you to follow up with - including these three with over 87% on Rotten Tomatoes.

When it comes to sci-fi flicks, Netflix is always a safe bet which is why we rate it as one of the best streaming services. But be sure to double check our list of everything leaving Netflix in January 2025, just in case your favorite titles are running their course.

Mad Max: Fury Road (2015)

Mad Max: Fury Road - Official Main Trailer [High Definition] - YouTube

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RT Score: 97%
Age rating: R
Length: 120 minutes
Director: George Miller

If you enjoyed Furiosa: A Mad Max Saga, which was one of our best movies of 2024, then take this as your chance to see where her story goes beyond the prequel movie if you haven't yet seen Mad Max: Fury Road.

In a desolate world ravaged by the collapse of society, the tyrannical Immortan Joe (Hugh Keays-Byrne) holds dominion over the scant few survivors. Determined to liberate his five wives, Imperator Furiosa (Charlize Theron) sets off on a daring escape plan, joining forces with the once-captive Max Rockatansky (Tom Hardy) as they navigate a thrilling high-speed pursuit.

Snowpiercer (2013)

Snowpiercer Official US Trailer #1 (2014) - Starring Chris Evans - HD - YouTube

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RT Score: 94%
Age rating: R
Length: 125 minutes
Director: Bong Joon-ho

Before Parasite (2019) became the first non-English language movie to win Best Picture at the Oscars, director Bong Joon-ho was making waves with The Host (2006), Okja (2017), and of course, Snowpiercer (2013).

An adaptation of the French graphic novel Le Transperceneige by Jacques Lob, Bong Joon-ho's sci-fi action takes place in a future ice age following a group of survivors aboard the Snowpiercer train that travels around the world. When a new hierarchy is formed, leader of the group Curtis (Chris Evans) will do anything to attain control of the train's engine, thus having the power to change the future at his hands.

Advantageous (2015)

ADVANTAGEOUS Trailer (2015) Sci-Fi - YouTube

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RT Score: 87%
Age rating: N/A
Length: 90 minutes
Director: Jennifer Phang

Though it's the lesser-known title in the list, Advantageous is a sci-fi drama that packs a focus on technology that you'd expect from an episode of Black Mirror. It's been a while since I last watched it, so I'm taking this as my sign to revisit it.

In a high-tech future, Gwen (played by Jacqueline Kim) is employed by a cutting-edge health service that specializes in state-of-the-art cosmetic enhancements. However, when she loses her job, she finds it increasingly difficult to provide a stable environment for herself and her daughter, Jules (Samantha Kim). In a bid to reclaim their previous way of life and ensure a promising future for Jules, Gwen turns to an ex-boss who presents her with a transformative opportunity.

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Entertainment2025-06-03 11:26:12

'The Jeffersons' at 50: The Impact of Norman Lear on Black Representation in Television

Jim McKairnes  |  Special to USA TODAY At 11 seasons, “The Jeffersons” ran longer than any of producer Norman Lear’s classic 1970s comedies, including its parent show “All in the Family.” But the more important history it made came as soon as its first episode, 50 years ago this week: CBS' “The Jeffersons” marked the first Black-family comedy for which Black didn’t signal economic struggle.   George and Louise Jefferson (Sherman Hemsley and Isabel Sanford) were plain rich. Credit the Black Panthers. At least, in part.  As racial barriers fell and onscreen representation increased in the early 1970s, the biggest gains were in half-hour comedies. Some of these “Black shows” ‒ a series adaptation of Neil Simon’s “Barefoot in the Park,” military comedy “Roll Out” (from the creators of “M*A*S*H”), and barbershop sitcom “That’s My Mama” ‒ came and went. Two became giant hits: NBC’s “Sanford and Son” and CBS’ “Good Times.” But their tales of impoverished lives unfolding in famously Black neighborhoods ‒ the Sanfords were junk dealers in Los Angeles’ blighted Watts community, while “Good Times” was set in a Chicago housing project ‒ offered singular, even stereotypical, portraits: Two steps forward, one step back.   View pictures in App save up to 80% data. 'The Jeffersons' were elevating their status. “The Jeffersons” made its way into primetime to shake things up. The show followed the beloved neighbors of Archie and Edith Bunker as they reveled in the prosperity of their growing dry cleaning enterprise, swapping their modest Queens rowhouse for a lavish apartment on Manhattan’s Upper East Side. The challenges they faced were more about cultural adjustment than financial hardship, as the newly affluent sought to blend in with the established elite.   The spinoff became a certainty following Hemsley’s initial appearance in Season 4 of “All in the Family.” Louise Jefferson, played by Sanford, along with their son Lionel, portrayed by Mike Evans, had been recurring characters since 1971. However, Hemsley, who was envisioned by Lear as the head of the family, wasn't available until 1973.   In his 2014 memoir titled “Even This I Get To Experience,” Lear recounted how a chance meeting outside of the entertainment industry helped to accelerate the process.   How the Black Panthers Influenced a Television Family That Wasn't 'Dirt Poor' “One day, three representatives from the Black Panthers burst into my CBS office, declaring they were there to speak with the garbage man – me,” he recounted. “They criticized ‘Good Times,’ labeling it as trash. ‘It’s merely a white man’s interpretation of a Black family… every time you feature a Black man on television, he’s portrayed as impoverished.’”   “The Jeffersons” emerged as his answer. Following an unofficial first episode marked by a “Family” farewell, the show premiered midseason on January 18, 1975. Strategically placed in CBS' Saturday lineup, right after its successful predecessor, the new comedy quickly garnered a strong viewership. As George and Louise established their lives, audiences embraced them as well. By the end of the 1974-75 season, the show ranked as the fourth most-watched program.  “The Jeffersons” benefitted from a larger cast than seen in Lear’s other hits, too, allowing for more storylines to explore. Costars included Marla Gibbs as the Jeffersons’ housekeeper, Zara Cully as George’s live-in mother, Paul Benedict as their British neighbor, and Berlinda Tolbert as Lionel’s girlfriend (and later, wife), whose parents, played by Roxie Roker and Franklin Cover, made history as primetime’s first regularly featured interracial couple.   View pictures in App save up to 80% data. However, 'The Jeffersons' mostly steered clear of political themes. While early episodes addressed the social politics stirred by their move to Manhattan ‒ stories about identity, invoking terms like Uncle Toms and passing ‒ “The Jeffersons” didn’t court headlines the way “All in the Family” or Lear’s controversial “Maude” did. In time, race was less of a driver, and the show became a more conventional, often broad sitcom. Even the stridency of George Jefferson’s prejudice on display in “Family” ‒ the character, “imagined as a reflection of what (Archie) Bunker’s bigotry would look like in ‘blackface’” ‒ was toned down, wrote Mark Anthony Neal for Ebony in 2012. His boisterous persona was more comical than confrontational, a hot-air balloon of strutting pomposity punctured by his family.   Even the occasional “special episodes” ‒ Louise’s reflections on her less-affluent past, Lionel’s dip into alcohol abuse, George’s reunion with an old Navy pal, now a woman ‒ orbited more around the human condition than a racial one.   One notable exception: 1980’s “The First Store,” a flashback episode about Jefferson Cleaners opening on the same day in 1968 as Martin Luther King Jr.’s assassination. After Lear’s 2023 death, The Hollywood Reporter included it as one of the “Six Norman Lear TV Episodes That Changed the World.”  The show was never nominated for Emmy Awards in writing or directing categories, and won just two in total, for videotape editing and for Sanford (the first black woman to win Best Comedy Actress). “The Jeffersons” was sometimes criticized in the Black community for perceived lapses into stereotypes, or for portraying George as a buffoon. (The Baltimore Sun’s Gregory Kane called it “demeaning to Black people” in a 1999 essay about race and television.) But the show facilitated a prime-time transition from “Black shows” to series that simply offered Black casts, cemented by the arrival of NBC’s “The Cosby Show” in 1984.  “Its characters opened doors for future black actors,” wrote Danielle Cadet in The Huffington Post after Hemsley’s 2012 death. “And its success proved that African American sitcoms did, in fact, resonate with general audiences.”  The resonance of “The Jeffersons,” which ended in 1985 after 253 episodes and 15 timeslot changes, stands as its legacy: the first Black sitcom since “Sanford and Son” (1972-77) to rank among TV’s top five shows, the first to rank as TV’s top comedy for a season (1981-82), CBS’ third-longest-running sitcom at the time of its cancellation and, still, the longest-running Black comedy in network-TV history. Lear restaged one episode in a live 2019 ABC special that featured Jamie Foxx and Wanda Sykes in the lead roles. After numerous attempts, “The Jeffersons” finally made it up that hill. 

Entertainment2025-06-03 11:26:12

Pressure Grows on $33 Billion Broadcaster to Reinstate Beloved Trio as Michael Strahan's Show Faces Closure

View pictures in App save up to 80% data. Ahh! Those good old days of GMA3. These must have been the words ringing around the minds of Good Morning America’s fans when they were surprised with a special guest on Wednesday. Michael Strahan, who returned to ABC to host GMA, had been pretty busy with his other TV gigs. And it was supposed to be just another normal day on the show with co-anchors Robin Roberts and George Stephanopoulos. However, Roberts suddenly popped up with a surprise for Strahan, saying, “Ke-ke! Your girl, Keke Palmer’s gonna be here!” Well, hearing that brought a huge smile to Strahan’s face as he giggled, “I can’t wait.” So, in the next episode, Keke did appear, as Roberts had already teased the former Giants’ defensive end. And boy, what a reunion it was! Former co-stars greeted each other, with Michael sarcastically saying, “What’s up, redhead?” And Keke jokingly replied, “My guy.” Then, without wasting any time, to impress the viewers with their long-awaited reunion. Keke and Strahan participated in a fun marching challenge on the GMA set, where they had to navigate small squares marked by blue tape while wearing blindfolds. To add to the excitement for GMA fans, they attempted to stay within the designated squares without being able to see. Both of them humorously acknowledged their challenges, with Michael joking that his large feet would make it tougher, while Keke faced the added difficulty of balancing on her heels. But after 45 seconds of marching, the two slowly removed their blindfolds. Now, what they discovered is that both were a foot outside those squares but still in sync: “That’s insane,” Keke added as Strahan replied, “At least we’re in sync!” Yeah, they both somehow lost the challenge but remained in the same place. Talk about connection! In addition to the entertaining events, GMA enthusiasts had the chance to enjoy the dynamic presence of Keke and Michael Strahan after quite some time. Following the show's wrap-up, fans took to Instagram with a special appeal for ABC. They expressed a desire for the network to reunite the beloved trio of GMA. ABC has received a unique request from the viewers of Good Morning America. Keke’s reappearance on the show couldn’t stop long-time GMA viewers from getting emotional on Instagram. When the show shared the clips of Strahan and Keke’s get-together, they weren’t going to miss the chance to call out ABC. One of them wrote how the former co-stars still had the chemistry going, “They still got the chemistry! Give Keke, Michael and Sara another show GMA!” Now, just for those who aren’t familiar with Sara Haines. She was also one of the co-hosts before the pandemic changed everything. When multiple TV networks were shutting down their studios because of the COVID-19 outbreak, ABC also had to follow the herd. And this eventually led to the sudden cancellation of GMA in 2020. With that, all three of them moved on to their separate endeavors. But Strahan remained as one of its co-anchors when GMA again rebooted due to popular demand. However, Sara had already become the regular co-host of The View, while Keke Palmer continued to juggle her growing movie and TV career. Even this time, she came on the show to promote her new upcoming movie, “One of Them Days.” But watching Keke come back to the show, one she was once the heartbeat of, fans tagged ABC and Disney studios to announce a separate show for Michael Strahan and Keke, “I think we need a Michael & Keke show! Am I the only one? Mornings w/Michael & Keke.” There was another who praised the presence of Keke as a co-host, “I hope she goes back to cohosting with him! She is a phenomenal host and journalist! The way she conducts her podcast is everything! @keke is literally like a ball of sunshine.” While many of them threw requests on the door of ABC, there was a fan who was pretty upset with their decision to cancel GMA back in the day, “They messed up when they canceled Strahan, Keke, and Sara.” Now, watching the fans’ outpouring reaction to Keke’s guest appearance on the show, maybe ABC could pull some strings and bring the trio together once again. Then, just imagine what the reaction would be. Like, we can already hear the fans chanting GMA3! If it does happen.

Entertainment2025-06-03 11:26:12

10 Overrated Films That People Consider Intellectual but Are Actually Lacking Depth

View pictures in App save up to 80% data. (Credit: Press / Lions Gate Home Entertainment) What makes a movie pretentious? These days, it seems like many viewers jump to call anything slightly avant-garde pretentious, whether it be a quirky French film or literally anything by Yorgos Lanthimos. Sometimes, people are right – a movie that tries too hard to say something profound while using cinematic cliches or cheesy metaphors certainly deserves the label. Some movies are truly innovative and captivating, yet viewers often label them as pretentious simply due to a lack of understanding. We inhabit a society where films can create significant divides among audiences, and the rise of the internet has only added to this complexity. It’s perfectly reasonable to consider a film pretentious if you feel it fits that description, but there are certainly cases where certain films are undeniably more pretentious than others. Frequently, filmmakers try to mask their pretentiousness by employing dramatic cinematic methods that mislead audiences into believing they're experiencing something deeper than it truly is. We've identified ten films that exemplify this phenomenon—showcasing themselves as intriguing and subversive works when, in truth, they are merely pretentious and rather shallow. From Barbie to Contempt, here are ten pretentious movies everybody thinks are smart but are actually stupid. 10 absurdly self-important films:  Barbie (Greta Gerwig, 2023) Greta Gerwig was once an indie darling known for great performances in movies like Baghead and Frances Ha. When she transitioned to primarily being a director, Lady Bird and Little Women demonstrated real talent and an obvious appreciation for cinema. Then, the marketing sensation Barbie came along, which felt like a champion of capitalism (ironically enough, one of the main systems that oppress women) rather than a nuanced look at women’s issues. Scraping the surface of feminism with its plastic pink sets, cheesy musical numbers, and dramatic monologues that state the obvious, Barbie was loved by many and hailed as a necessary piece of cinema. In reality, it’s nothing more than a vehicle for excessive merchandising that treats the audience like they’re genuinely stupid. Men (Alex Garland, 2022) When are men going to realise that it’s not their job to explain, especially through the medium of cinema, the plight that women go through simply for being female? With his 2022 film Men, Alex Garland highlighted the abuse and manipulation faced by many women at the hands of men in a way that added nothing to the conversation other than pointing out a very well-known fact. Using Rory Kinnear to play every creepy man in the film, even editing his face onto a child’s body for one strange encounter, might seem like a bold artistic choice, but really, Garland was biting off far more than he could chew. The filmmaker simply failed to make a strong point besides mansplaining sexism, yet we get the impression that Garland believed he’d delivered a feminist masterpiece. Sadly, many viewers fell for this trap when, in reality, the film has nothing interesting to say. Saltburn (Emerald Fennell, 2023) There was a lot of discourse surrounding Saltburn when it came out in 2023, but that didn’t stop it from earning five Bafta nominations and various other nods from prestigious institutions. The movie truly thinks it is saying something interesting about class, using gothic tropes to convey themes of mystery and suspense while drawing parallels to pre-existing pieces of media. However, the finished result is a messy, overly-stylish, and tone-deaf take on privilege from an extremely well-off director. There are various eye-roll-worthy moments clearly intended to shock, like the infamous bathwater scene, but nothing the movie does feels truly subversive or transgressive. It’s as though Fennell saw Pasolini’s Teorema and decided to dilute everything interesting about it into a cringe-worthy, vapid, and lazy take on early 2000s-era Britain. It’s not clever, and it’s not groundbreaking, even though it apparently seems to think it is. Antiporno (Sion Sono, 2016) Antiporno is one of those films that some people herald to an unusually high degree, seeing it as a visionary, experimental piece of cinema that dissects female sexuality. While it’s beautifully shot, with bright colours that engulf the screen, this is a mere facade that hides the fact that Sion Sono really has nothing to say. The film tries to make a commentary on sex, objectification, porn, and femininity, but really, Antiporno is just a shallow mess of nudity and exploitation. Like Men, the film makes you wonder why so many male filmmakers think they’re the best-suited storytellers to explore themes that are so focused on female issues. At the end of the day, a stylish and well-shot film can’t make up for a lack of substance, which is Antiporno‘s fatal flaw. Contempt (Jean-Luc Godard, 1963) Jean-Luc Godard made many great films throughout his career that have been called pretentious by some, but they’re still revered, and his contributions to cinema are highly influential. Contempt, on the other hand, remains a divisive piece of art that we can hardly blame people for calling pretentious. Despite featuring French icon Brigitte Bardot, the movie has her do little more than argue or appear naked. It comes to feel like a lot of wasted potential, with the movie’s debates on art, relationships, and the human condition drawing out over painfully long conversations that we feel like uneasy voyeurs to. While many people will continue to herald the movie as one of Godard’s best, we’d argue that he’s made plenty of other films that convey their messages in a much more interesting and captivating way. Contempt isn’t a bad film, but it definitely shouldn’t be held to untouchable heights. Malcolm & Marie (Sam Levinson, 2021) The shine has come off Sam Levinson significantly after The Idol, which underlined that just because he created one massively popular HBO show, handing him almost complete creative control to indulge himself, didn’t mean he would deliver another one. Far from it, in fact. In an effort to make the most of his free time during the pandemic, Levinson chose to create a monochrome romantic drama that aimed to delve into the themes of life, love, and solitude. However, he also included a scene that turned out to be a comically blunt tirade against film critics, overshadowing the film's deeper intentions. As a product of Hollywood's pervasive nepotism, he utilized characters from his own script to lament the struggles of affluent creatives. It's neither bold nor particularly insightful. Tenet (Christopher Nolan, 2020) A huge part of Christopher Nolan’s persona as a filmmaker is that he’s been embraced as a director who engaged the brain while working on a blockbuster-sized budget. It’s largely worked, although he did come close to disappearing entirely up his own arse with Tenet. Can’t hear the dialogue properly over the deafening sound mix? Fuck you, he doesn’t care. Need your handheld while agonising exposition explains everything in nauseating detail? Nobody did, but he wrote it anyway. Tenet was heralded as a reinvention of action cinema and Nolan’s latest masterful deconstruction of the concept of time, but the entire story unfolds as such: it starts at the end, meets itself in the middle, and ends at the beginning. Hardly revolutionary, and his weakest film by far. Don’t Look Up (Adam McKay, 2021) There are few things more pretentious than highly paid Hollywood types thinking themselves the smartest people in the room, using an extravagant budget to try and prove it, and climbing on top of their soapbox to yell it for the world to hear. That’s Adam McKay’s Don’t Look Up in microcosm, which seems to exist largely because Netflix has a lot of money to spend and a lot of A-listers wanted to join the director on his lofty pedestal. Assuming that nobody would understand the messaging if it wasn’t framed through a blockbuster disaster comedy, how it earned a ‘Best Picture’ nomination at the Academy Awards beggars belief. It unfolds over a nauseating 138 minutes, but the theme is thus: climate change is bad, and something should be done on a global scale before it’s too late. Well, no shit. Everything Everywhere All At Once (Daniels, 2022) The winner of seven Academy Awards, including ‘Best Picture’, ‘Best Director’, and ‘Best Actress’, it can’t be denied that Daniels’ Everything Everywhere All at Once is a deliriously enjoyable way to spend a couple of hours. It's a film that's hard not to enjoy, but that doesn't necessarily mean it showcases exceptional cinematic brilliance. To avoid being overly critical, it's somewhat reminiscent of a Marvel film, but executed better. The narrative revolves around themes of reconciliation, confronting the past, and tackling generational trauma directly—ideas that remain significant and relatable, though not particularly innovative. While it’s a thrilling genre piece with plenty of flair, there may not be as much depth beneath the surface as many viewers might assume. Once Upon a Time in Hollywood (Quentin Tarantino, 2019) Self-indulgence and Quentin Tarantino go hand in hand, which helps explain why Once Upon a Time in Hollywood scratched the itch for everyone who was desperate to know what would have happened had Sharon Tate not been murdered and Brad Pitt had saved the day instead. A heartfelt letter to himself, shrouded in the warm haze of 1969 Los Angeles—a time when a young Quentin Tarantino, a local boy, first discovered his passion for film. In this narrative, the auteur takes creative liberties to reshape history, meticulously crafting a fantasy world where no detail is overlooked. Figures like Tate, Bruce Lee, and George Spahn, alongside popular television shows and era-appropriate music, blend seamlessly into the filmmaker's personal universe, created solely to appease his singular audience. It’s a lavish exercise in wish fulfillment, steeped in superficiality and cloaked in a narrative of male empowerment. Associated Subjects

Entertainment2025-06-03 11:26:12

Savannah Guthrie Shared Clip of Herself Disposing of Hoda Kotb's ‘Stuff’ Following Her Co-host's Departure from ‘Today’

View pictures in App save up to 80% data. Photo by Dia Dipasupil/Getty Images While Savannah Guthrie was sad to say goodbye to Hoda Kotb on Today, she was happy to throw away some of the items her former coanchor left behind. “It’s a new era, it’s the Craig [Melvin] era, and we go and we sit on the set and there are these trays,” Guthrie, 53, explained in a joint interview with Melvin, 45, on the Wednesday, January 15, episode of The Tonight Show Starring Jimmy Fallon. “It might have a mint or whatever it is. We realized that all of the trays, they were all Hoda’s stuff and it was, like, one contact and expired bean dip and belly button lint and all this stuff.” Choosing to declutter the Today set, Guthrie sent Kotb, 60, a hilarious video of herself throwing out Kotb’s collection of belongings. “Oh, hey girl. Guess you didn’t want any of this s—,” Guthrie quipped in the clip, which host Jimmy Fallon showed on-air. “Don’t mind me,” Guthrie added before dumping Kotb’s tray items into the garbage. “Love you.” Following the clip, Guthrie remarked on the appearance of the tray, noting that it seemed unclean. "It had, like, rusty barnacles growing on it," she quipped. "Honestly, it was revolting." Fallon, 50, reminisced about a time when she was taken aback by the condition of Kotb’s handbag, commenting, “It resembles a binder filled with documents. It reminded me of my father's old wallet.” Guthrie couldn't resist teasing Kotb about her quirky choice of accessories, mentioning how she occasionally prefers a plastic bag instead of a traditional purse at red carpet events. "You know, the clear Ziploc bag often has a banana and a tampon inside," she revealed with a laugh. View pictures in App save up to 80% data. The Tonight Show/YouTube Channel Kotb ended her run as Guthrie’s Today coanchor and Jenna Bush Hager’s fourth hour of Today cohost on Friday, January 10. Fallon was one of several celebrities who stopped by the show to celebrate her final day. As a farewell gift, Fallon gave Kotb a framed piece of the NBC peacock logo carpet from the elevators in 30 Rock. “I entitled [sic] it ‘Onward and Upward’ ‘cause you’re getting on the elevator and going up, right?” he said on Friday’s episode of Today With Hoda & Jenna. “But then I signed it, and then no one can read my writing. My handwriting’s so bad so it looks like it says ‘Osmond and Uptown.’” View pictures in App save up to 80% data. Today's Special Offer Snag the Rich Mom-Style Loungewear Set Users Say ‘Feels Luxurious’ Now for 20% off View Deal Earlier in the day, Kotb praised her Today cohosts as Melvin prepared to take over her role as Guthrie’s coanchor. “Savannah, oh, my God. You’re my person, you’re my person. You know who shows up for everybody? This girl. … She’s in the room, she’s always in the room, and I love you,” she gushed on air. “Craig, I’m so happy for you. You’ve earned this, you own this, and come Monday at 7 o’clock a.m., I am gonna be dead asleep. But you’re gonna be fantastic. You’re gonna bring it home. Craig, you’re gonna be so good. You and Savannah are gonna be magic.” View pictures in App save up to 80% data. Craig Melvin, Savannah Guthrie, and Hoda Kotb. In response to Kotb's remarks, Guthrie shared with Fallon on Wednesday that Kotb "rose earlier than I did on Monday." She continued, "Hoda starts her day at 3 a.m. on Saturdays. But she’s doing well. We keep in touch with her via FaceTime." While Kotb announced she has a wellness app and company in the works, she has been enjoying her first week away from Today by taking her daughters, Haley, 8, and Hope, 5, to school. “Another regular … ordinary … spectacular day xo,” she captioned pics of herself and her girls, whom she shares with ex-fiancé Joel Schiffman, walking down her driveway via Instagram on Thursday, January 16.

Entertainment2025-06-03 11:26:12

A number of Netflix Originals will be departing the platform next month, featuring a drama that boasts a 90% rating on Rotten Tomatoes.

View pictures in App save up to 80% data. Netflix流媒体平台 The everlasting View pictures in App save up to 80% data. Netflix流媒体平台 cull continues, though rather than unceremonious cancellation, the streamer will instead be removing several of its own “original” television shows. The dream of streaming first began with the idea that there would be no ads, and that these new studios could create and license their own projects free of the Hollywood system. Sadly, the dream seems to be slowly dying, with the addition of platforms removing their own TV shows being just the next step in the inevitable demise (or, at least, dilution) of streaming. The first Netflix流媒体平台 original on the chopping block is the Hungarian romantic drama Regarding the essence of the body and spirit. , which boasts a hugely impressive 90% on Rotten Tomatoes. The series will be leaving Netflix流媒体平台 on February 2, 2025, (via What's on Netflix流媒体平台) meaning you don’t have long to catch up on this tale of a man and a woman who meet at work and slowly begin to realize that they have the same dreams at night. Next up is the Bill Pullman led spy thriller The Coldest Game . Directed by Łukasz Kośmicki, The Coldest Game follows Pullman as Joshua Mansky, an alcoholic, chess champion, and math genius who finds himself playing an integral part in the unfolding Cuban missile crisis, which threatens world peace in 1962. The Coldest Game will leave Netflix流媒体平台 on February 8, 2025, and while it was not well-received by critics (in fact, it holds a rare rating of 0% on Rotten Tomatoes based on 5 reviews), anything starring the captivating Bill Pullman is always worth a watch. Before it’s too late! Netflix流媒体平台 Has Become Merciless in Its Approach The Netflix流媒体平台 anime series Cyborg 009: Call of Justice will also depart from the streamer on February 10, 2025. Released back in 2017, the limited series finds the titular band of cyborgs attempting to live normal lives. But, soon, they are forced to fight once again for the sake of humanity. Also leaving Netflix流媒体平台 on February 10 is the well-received Until Life Do Us Part (Até Que a Vida Nos Separe). The romantic drama hails from Portugal and centers on the Paixao family as they try to withstand the various trials and tribulations of life. And the bad news keeps coming, as all 44-episodes of the martial arts action-adventure series Handsome Siblings will part ways with Netflix流媒体平台 on February 14, 2025. Meaning audiences don’t have long to catch up on this tale of twin martial artists. The following week, the streamer will bid farewell to the stand-up comedy special Sommore: Queen Chandelier, which features “Queen of Comedy” Sommore as she takes the stage at the Wick Theater. Sommore: Queen Chandelier leaves Netflix流媒体平台 on February 21, 2025. Finally, the teen comedy-drama Unstoppable, which has a score of 7.2 from viewers on IMDb, will part ways with Netflix流媒体平台 on February 28, 2025. The Mexican-made series revolves around a group of friends who set out on a road trip when an unexpected fourth passenger forces an abrupt change of plans. So, stop putting off all of those shows and movies you currently have on your watchlist, as they could be next in the merciless streaming firing line. View pictures in App save up to 80% data. Regarding the essence of the body and spirit. Release Date March 2, 2017 Director Ildikó Enyedi Runtime 116 Minutes Cast Alexandra Borbély , Morcsányi Géza , Réka Tenki , Ervin Nagy , Zoltán Schneider , Tamás Jordán , Itala Békés , Éva Bata

Entertainment2025-06-03 11:26:12

Princess Anne showcases her fashion sense in a striking red coat during her visit to a charitable organization.

 Princess Anne put on a stylish display in a crimson coat as she visited a charity in Cheltenham today. Situated at the Gloucestershire Airport Training Facility in Staverton, the organization known as Wings for Warriors provides training for wounded, injured, or ill servicemen and veterans, helping them become professional pilots.  The 74-year-old royal appeared to be wearing the same red jacket she sported while attending last month's Christmas Day service at Sandringham as she made her appearance. She accessorized her coat with a sizable gold brooch at the neckline, complementing it with a dark-hued midi skirt. The mother of Zara Tindall, 43, and Peter Phillips, 46, completed her ensemble with black leather gloves, and a small black handbag. Throughout her visit, the Princess Royal was spotted smiling while engaging in conversation with fellow attendees at the event. At one point, she was presented with wings worn by test pilot Peter Wilson on the first ever landing of an F-35 plane on HMS Queen Elizabeth.  Wings for Warriors states that, 'For numerous servicemen and women, transitioning to civilian life can often seem daunting and unpredictable, even under normal circumstances. When a life-altering injury is factored in, the outlook on the future can swiftly turn bleak and disheartening.' View pictures in App save up to 80% data. Princess Anne was pictured speaking with other guests as she visited Wings for Warriors' Gloucestershire Airport Training Facility in Cheltenham today View pictures in App save up to 80% data. During her visit, the royal was gifted with the wings that belonged to test pilot Peter Wilson, commemorating the historic first landing of an F-35 aircraft on HMS Queen Elizabeth (as shown in the picture). Rather than focusing on a temporary project or challenge, we equip our wounded warriors with the necessary skills to secure an exciting, fulfilling, and lasting future for years ahead.  "We restore confidence, enhance skills, and foster pride, assisting veterans in supporting their families far into the future." The charity announced last June that it would be opening a new flight training school in Gloucestershire in late 2024. Announcing the news, Charity founder and CEO Mark Radcliffe said at the time: 'What we do isn’t just about flying.  "It's about revealing the exceptional and exclusive realm we inhabit as aviators, using it to motivate remarkable individuals who may need a bit of luck to set their sights high and persevere." Despite having an extremely busy 2024, taking on more royal engagements amid King Charles's cancer battle, Anne is unlikely to slow down soon, with further engagements booked in her diary this week. This is despite suffering her own health woes, after sustaining a head injury last June which the royal has said she 'can't remember a single thing' about. View pictures in App save up to 80% data. The royal donned a striking red jacket for the occasion, complementing it with a dark skirt, black gloves, and a chic black handbag. View pictures in App save up to 80% data. Princess Anne (seen here during her engagement at Wings for Warriors) seemed to have a delightful time at the event today.  View pictures in App save up to 80% data. Anne took some rare time off after the accident, which doctors believe was consistent with being struck by a horse.  After the incident, she was taken to hospital on June 23 with minor head wounds and concussion after walking around her Gatcombe Park estate in Gloucestershire.  At that moment, Buckingham Palace revealed that the Princess Royal was being monitored in the hospital after an incident occurred. Princess Anne seems to have completely healed after her injury. Just three weeks later, she returned to work, marking her comeback with a visit to the Riding for the Disabled Association (RDA) National Championships held at Hartpury University and Hartpury College in July.

Entertainment2025-06-03 11:26:12

Riley Keough Reveals That Her Mother, Lisa Marie Presley, Punished Her with a 3-Month Grounding Following Her Teenage Arrest.

Riley shared her experiences of teenage rebellion during a candid conversation with host Alex Cooper. She was taken into custody for 'trespassing and burglary.' Lisa Marie said to her, 'This responsibility falls on you, girl.' View pictures in App save up to 80% data. Getty Images, via @rileykeough's Instagram To complicate things further, Riley's mom was out of town the night she was taken into custody. "Riley recounted, 'She was in Las Vegas when I had to call her and ask her to come back and pick me up from prison. I've never shared this with anyone before! She replied, 'I can't make it there.' So instead, she had my aunt come to get me.'" The arrest went unnoticed by the media, but it was purely coincidental; Lisa Marie was completely open about it.

Entertainment2025-06-03 11:26:12

Wendy Williams Asserts ‘I Am Fully Cognizant’ in Recent Radio Interview — Tune In

View pictures in App save up to 80% data. Lars Niki/Getty Images for New York Women in Film & Television Despite her 2023 diagnosis of frontotemporal demensia and aphasia, former TV talk show host Wendy Williams is now disputing claims of her ailing health and says she is being abused by her guardianship. “I am not cognitively impaired,” Williams said while calling into iHeartRadio’s The Breakfast Club Thursday, adding that she wants to be released from the New York City care facility where she’s been living. “I feel like I’m in a prison.” (Go here to listen to the broadcast.) The television star elaborated on the facility's strict security measures, revealing that her family is unable to reach her, and expressing that she feels as though she is being kept “captive.” “For the past three years, I’ve celebrated my birthday alone,” she revealed. “This is a form of emotional abuse.” Williams’ niece, Alex Finnie, who also participated in the program, supported Williams’ statements, describing the facility as “a high-end prison.” Williams previously spoke out on her dementia and aphasia diagnoses, thanking fans for “the love and kind words” in a statement to People magazine. “Your response has been overwhelming. The messages shared with me have touched me, reminding me of the power of unity and the need for compassion.” She added: “I continue to need personal space and peace to thrive. Please just know that your positivity and encouragement are deeply appreciated.” Shortly after the diagnosis was announced, Lifetime premiered Where is Wendy Williams?, a four-part documentary produced by Williams herself. The program offers “a raw, honest and unfiltered reality of Wendy’s life after she was placed under financial guardianship, shedding light on the vulnerabilities that has turned Wendy into the Hot Topic herself,” per the official synopsis. “Suffering mental and physical issues, Wendy’s delicate state of mind, erratic behavior and declining health were all captured by the cameras.” Williams’ guardian Sabrina Morrissey sought legal action against Lifetime ahead of the premiere, asking that the documentary not be aired. After appearing in court, however, Lifetime was able to air the documentary as planned. Williams’ health struggles first came to light in 2017, when a fainting spell in the middle of a live broadcast caused many to begin questioning her health. She went public with a Graves’ disease diagnosis in 2018, one year before announcing that she was also living in a sober house. She hosted her final episode of the now-defunct Wendy Williams Show in 2021, and financial troubles soon followed.

Entertainment2025-06-03 11:26:12

In Remembrance: The Circumstances Surrounding Aaliyah's Untimely Passing in 2001

Aaliyah and Jet Li star in the action-packed film 'Romeo Must Die'. Aaliyah and R. Kelly Aaliyah in 'Queen of the Damned' View pictures in App save up to 80% data. (© imago images/MediaPunch) Aaliyah Dana Haughton, better recognized simply as Aaliyah, was a remarkable artist who made a lasting impact on the music and entertainment world. She was born on January 16, 1979, in Brooklyn, New York, and quickly gained recognition as a singer, actress, and model. Unfortunately, her bright future was tragically halted when she lost her life in a plane accident on August 25, 2001, at the tender age of 22. Aaliyah: A Brilliant Career Interrupted – Ten Key Moments of an Ascending Icon Although Aaliyah's life was tragically brief, her influence is profound, and her legacy continues to thrive. Below are ten significant moments from her career, personal experiences, and the events leading to her premature passing.

Entertainment2025-06-03 11:26:12

A 'Yellowstone' star continues to find himself in the midst of controversies due to his outspoken political opinions.

This 'Yellowstone' actor has stirred up controversy on multiple occasions, ranging from being removed from a flight to his refusal to receive a vaccination. View pictures in App save up to 80% data. From left to right, the cast members Wes Bentley, Gil Birmingham, Kelly Reilly, Kevin Costner, Cole Hauser, Kelsey Asbille, and Luke Grimes gathered for the 'Yellowstone' Season 2 event on May 30, 2019, in Los Angeles, California. (Cover Image Source: Getty Images | Photo by Axelle Bauer-Griffin) Paramount's 'Yellowstone' may have concluded with mixed reviews, but its legacy will undoubtedly live on. While the Western neo-drama series is highly celebrated for its top-notch storyline and action-packed performances, it has also sparked its fair share of controversy. One notable moment came when a fan-favorite character’s political views became a hot-button issue for many fans. View pictures in App save up to 80% data. Forrie J Smith captured in a scene from 'Yellowstone' (Image Credit: Paramount Network) The actor in question is Forrie J Smith, who played the role of the oldest rancher, Lloyd Pierce, in 'Yellowstone'. While his character was beloved by fans, Smith’s real-life reputation hasn’t been as well received. In recent years, he’s faced his share of controversies, making him one of the most talked-about actors from the show. In March 2024, Smith took to Instagram to vent his frustration after being removed from a flight in Houston. According to Click2Houston, the incident occurred when he refused to sit next to a passenger wearing a mask. In a video posted soon after, the 65-year-old actor expressed his disbelief and irritation, saying, "I just got kicked off a plane, and, uh, where the hell am I at?" Smith elaborated that the flight crew claimed he was intoxicated, a charge he strongly refuted. "I'm not drunk, yet they remove me from the plane under the assumption that I am, all because no one has the guts to speak up about this nonsense," he stated. In the same video, Smith conceded that he had consumed alcohol but explained that it was a result of the lengthy wait he experienced at the airport. "I've been stuck in an airport for three hours. Of course, I'm drinking," he confessed. Nevertheless, he insisted that his actions were not improper and attributed the situation to the airline’s policies and choices. This isn’t the first time Smith’s controversial stance has made headlines. He also chose not to attend the Screen Actors Guild (SAG) Awards, citing his refusal to follow Covid-related rules. Smith explained his decision in a video posted on Instagram, as reported by Variety. The real-life rodeo explained that his refusal to get vaccinated is the primary factor behind his absence and said, "I want to apologize to y’all for not being at the Screen Actors Guild Awards. I mean no offence to anyone. I'm not vaccinated, and it's a requirement to be vaccinated." Smith solidified his viewpoint by stating, "I’m not vaccinated, and I refuse to get vaccinated," highlighting his consistent beliefs on the matter. He elaborated on his anti-vaccination stance, mentioning, "I haven’t received any vaccinations since childhood. I don’t vaccinate my dogs or my horses. I’ve never taken a flu shot, and I never intend to." He clarified his perspective, saying, "I think they weaken your immune system. These are just my beliefs. I simply don’t subscribe to that idea. Whatever." While he maintained that he meant no disrespect to anyone, his remarks continue to generate debate among the public.